By Émile Zola
ISBN-10: 2080712802
ISBN-13: 9782080712806
Jeune écrivain ambitieux, Zola se healthy connaître par le magazine ; devenu un maître, il healthy de l. a. presse son arme de strive against. photographs, opinions d'art, chroniques politiques, récits pamphlétaires, manifestes, lettres ouvertes : l. a. diversité de ses articles impressionne. automobile il fut de toutes les luttes. C'est dans los angeles presse que l'auteur des Rougon-Maeguart, auréolé d'un parfum de scandale, a forgé et défendu le naturalisme ; c'est là aussi qu'il a soutenu Manet, les Goncourt, Vallès, tous " les garçons inconvenants qui se permettent d'avoir du expertise en dehors des mots d'ordre du monde ". Au coeur de l. a. guerre franco-prussienne, il a appelé à l. a. résistance en 'bridant los angeles Marseillaise, magazine patriotique ; reporter sous los angeles Commune, il a dénoncé los angeles " folie " de l'insurrection et los angeles " boucherie " de los angeles Semaine sanglante ; dans Le Corsaire comme dans Le Figaro, il s'est insurgé contre les hommes de pouvoir trop peu soucieux du peuple et des valeurs de los angeles République. Et, quinze ans après avoir fait ses adieux au journalisme, il y est revenu pour livrer sa dernière bataille, en exigeant que lumière soit faite sur l'innocence du capitaine Dreyfus. Cette anthologie donne à redécouvrir Zola, témoin et acteur de l'Histoire, et retrace le parcours d'un écrivain engagé pour qui los angeles presse fut " l. a. vie, l'action, ce qui grise et ce qui triomphe ".
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Sample text
If the girl hadn’t got to him he would definitely have drowned. ’ This is clearly a dramatic rescue, you have been sent to interview Mr Mike Rowles, with a view to writing a colour feature: what questions would you ask him? ’ B. Hennessey, Writing Feature Articles (2003: 9) This chapter: • examines the classic ingredients that should be contained in a feature • explains pegs, angles, facts, use of quotes, pictures, graphics and panels • considers the general rules of topicality and geographical interest • looks at the use of colour, style and tone.
Smith comments: I wasn’t looking for more scandal I just wanted to know more about him. Towards the end, before he resigned, he looked very haggard, he was emotionally and physically knackered. ’ I didn’t go in with any particular agenda, I just went with what came up. LOCATION, LOCATION, LOCATION Find a location for a face-to-face interview that is convenient to both of you. If your interviewee feels comfortable and relaxed, he or she is more likely to talk freely and openly. You could ask the interviewee to suggest somewhere – although watch out if they suggest a pub (which might be noisy) or a restaurant (which might not be as convenient for you as you might have to eat, talk and take notes at the same time – and pick up an expensive lunch bill that you weren’t expecting).
Pick up on this if it happens. Take your notebook out again – you could even ask if the interviewee minds if you make a further note. Interviewees also sometimes save until the end of the interview those gems which they had not realised were all that interesting. But a throwaway remark can often lend a feature the drama, humour or colour it needs to lift it out of the ordinary. A FEW REMINDERS Always check the spellings of names and places, and check ages, marital status and titles. A good idea is to ask the interviewee if there is anything he or she wishes to add.
Zola journaliste : Articles et chroniques by Émile Zola
by Daniel
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