By Edward Mendelson
ISBN-10: 0307275221
ISBN-13: 9780307275226
She felt quite prone only for a second to face nonetheless in the end that chatter, and choose one specific factor; the item that mattered . . .—Virginia Woolf, To The LighthouseAn illuminating exploration of the way seven of the best English novels of the 19th and 20th centuries—Frankenstein, Wuthering Heights, Jane Eyre, Middlemarch, Mrs. Dalloway, To the Lighthouse, and among the Acts—portray the basic reports of life.
Edward Mendelson—a professor of English at Columbia University—illustrates how every one novel is a residing portrait of the human situation whereas expressing its author’s advanced individuality and intentions and rising from the author’s lifestyles and occasions. He explores Frankenstein as a searing illustration of kid overlook and abandonment and Mrs. Dalloway as a portrait of an amazing yet nearly most unlikely grownup love, and leads us to a clean and engaging new figuring out of every of the seven novels, reminding us—in the main eye-catching way—why they topic.
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Additional info for The Things That Matter: What Seven Classic Novels Have to Say About the Stages of Life
Example text
H. Auden’s estate and the editor of Auden’s complete works. Among his previous books are Early Auden, Later Auden, and editions of novels by Anthony Trollope, George Meredith, Thomas Hardy, H. G. Wells, and Arnold Bennett. He lives in New York City with his wife and son. Also by Edward Mendelson Early Auden Later Auden For, to, and about James Mendelson A thing there was that mattered; a thing, wreathed about with chatter, defaced, obscured in her own life, let drop every day in corruption, lies, chatter.
Mary Shelley understood, as Victor does not, that the only way he could escape from his chronic loneliness would be to renounce his indifference. But he cannot renounce it because he believes it has been imposed on him by fate. Original Virtue Novelists who think deeply about moral issues tend to speak in two contradictory voices in the same book. One, the writer’s official voice, expresses views the writer wants to believe but half secretly doubts. The other, unofficial voice expresses views the writer wants to deny but half secretly believes.
The De Laceys are a father, son, and daughter who have chosen to live in poverty and exile, but for entirely different motives from those that drove the older Frankenstein’s friend Beaufort from Geneva. They have been banished from France because the son, Felix, had rescued a Turkish merchant from an unjust sentence of death. The merchant’s daughter Safie had fallen in love with Felix and fled from her father in the hope of joining him. When Safie’s servant fell ill during the difficult journey to the De Laceys’, Safie “nursed her with the most devoted affection”—with a maternal charity indifferent to her superior status, like Victor’s mother at the time of Elizabeth’s illness.
The Things That Matter: What Seven Classic Novels Have to Say About the Stages of Life by Edward Mendelson
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