By Amy Lonetree, Amanda J. Cobb-Greetham
ISBN-10: 0803211112
ISBN-13: 9780803211117
The 1st American nationwide museum designed and run via indigenous peoples, the Smithsonian Institution’s nationwide Museum of the yankee Indian in Washington DC opened in 2004. It represents either the U.S. as a novel state and the myriad indigenous countries inside its borders. developed with fabrics heavily attached to local groups around the continent, the museum comprises greater than 800,000 gadgets and 3 everlasting galleries and commonly holds workshops and seminar series.This first entire examine the nationwide Museum of the yank Indian contains a number of views, together with these of Natives and non-Natives, museum staff, and out of doors students throughout disciplines comparable to cultural stories and feedback, paintings background, historical past, museum reviews, anthropology, ethnic stories, and local American reports. The individuals interact in serious dialogues approximately key facets of the museum’s beginning, shows, importance, and the connection among local american citizens and different similar museums. (20090610)
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Additional info for The National Museum of the American Indian: critical conversations
Sample text
They also have multiple functions. Among the primary aspects considered here are collection, exhibition, and education and out- jacknis reach. In this essay, I place the Museum of the American Indian in varying disciplinal (anthropology, art, history) and geographic (city, region, nation) contexts. 4 Furthermore, this context is defined in terms of the institutions of the dominant society, not primarily those of Native cultures. Taking George Heye as our reference point, we can divide the history of the Museum of the American Indian into three periods: the time under Heye, the period after Heye’s death, and the present, as the National Museum of the American Indian at the Smithsonian.
56 The thoroughly outdated and unappealing gallery was quite a contrast with the new national American Indian museum. The reasons for this inaction are unclear, and are probably multiple, but it seems evident that the ongoing fund-raising efforts during the past decade to build the new museum on the Mall competed with and swamped Smithsonian attempts to create a specifically anthropological presentation. 57 This recent spate of ethnically marked museums raises the issue of who and what determines which groups should be honored at the national museum by their own free-standing institution.
In many cases, the unions are perceived as filling in gaps in collecting. For instance, in 1976 the Museum of Primitive Art, founded by Nelson Rockefeller in 1957, joined with the Metropolitan Museum of Art, which had not previously collected the tribal arts of Africa, Oceania, and the Americas. Encyclopedic museums like the Met seem to be constantly adding entire departments of photography, modern art, or “primitive” art, objects that had not been defined as art at the museum’s founding in the mid-nineteenth century.
The National Museum of the American Indian: critical conversations by Amy Lonetree, Amanda J. Cobb-Greetham
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