By Adriana Craciun, Simon Schaffer
ISBN-10: 1137443790
ISBN-13: 9781137443793
ISBN-10: 1137445793
ISBN-13: 9781137445797
In this e-book the eighteenth century Enlightenment gets a tremendous reassessment, utilizing an mind-blowing diversity of fabrics and items drawn from Europe and past, together with artefacts from India and China, West Africa and Polynesia. a chain of authoritative essays written by means of specialists within the box explores the entire variety of fabric tradition within the lengthy eighteenth century, elevating the most important questions about notions of estate and invention, homely and advertisement lives. The ebook additionally features a sequence of well-illustrated indicates, a startling and provocative assemblage of gadgets from the Enlightenment global, every one followed through specialist commentaries. the gathering of essays and shows is the results of collaborative debate via students from Europe and north the US, who've jointly labored at the cross-disciplinary value of fabric historical past in making feel of the way prior society was once essentially reworked in the course of the international of products.
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M. uk © The Author(s) 2016 A. Craciun, S. 1057/978-1-137-44379-3_3 35 36 M. M. BROOKS Fig. OA414 Anonymous, English—Embroidered picture: The Sacrifice of Isaac, dated 1673, © Ashmolean Museum, University of Oxford binations. Variation comes from the highly individual stitched interpretations where contemporaries perceived ‘fancy’—originality and individuality—to lie. Peter Mundy’s 1634 description of the Tradescant’s collection of natural curiosities of ‘beasts, fowle, fishes, serpents, wormes … pretious stones … a little garden with divers outlandish herbes and flowers …’1 could be describing one of these embroideries.
His papers single out specific things like the pine cone or the sea star as rarities, but then put them in relation to other objects, as they might have been arranged in an ideal cabinet formed from all the collections Guettard knew. His oeuvre—by no means systematic, but voluminous—could be seen as a virtual collection drawing on all the others, including the ones Guettard himself supervised. This synthesis, although never completely comprehensive, was only made possible by the dispersed community of people of all social ranks who made their specimens available to Guettard to be examined by whatever means necessary, and then described, drawn, and engraved.
Geoffroy, “Observations sur le bezoard, et sur les autres matières qui en approchent,” Mémoires de l’Académie royale des sciences (Paris, 1710), 235–242, on 235. , 236. , 237. 22 M. TERRALL features of true bezoars that could be determined simply by sight or touch, in order to avoid destructive tests on valuable stones. 24 As his collection grew, Geoffroy continued to study his bezoars, and to acquire new ones. In a second paper in 1712, he reported on stones from European and New World beavers, found in the pouches known as “castoreum” and used widely in medicine.
The Material Cultures of Enlightenment Arts and Sciences by Adriana Craciun, Simon Schaffer
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