By FAHS Alice
ISBN-10: 0807825816
ISBN-13: 9780807825815
During this groundbreaking paintings of cultural heritage, Alice Fahs explores a little-known and interesting part of the Civil War--the outpouring of renowned literature encouraged via the clash. From 1861 to 1865, authors and publishers in either the North and the South produced a outstanding number of war-related compositions, together with poems, songs, kid's tales, romances, novels, histories, or even funny items. Fahs mines those wealthy yet long-neglected assets to get better the variety of the war's political and social meanings.
Instead of narrowly portraying the Civil warfare as a conflict among nice, white armies, well known literature provided quite a lot of representations of the clash and assisted in shaping new modes of imagining the relationships of numerous contributors to the state. Works that explored the war's devastating influence on white women's lives, for instance, proclaimed the significance in their stories at the domestic entrance, whereas renowned writings that celebrated black manhood and heroism within the wake of emancipation helped readers start to envision new roles for blacks in American lifestyles.
Recovering a misplaced international of renowned literature, The Imagined Civil War provides immeasurably to our realizing of yank existence and letters at a pivotal element in our history.
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Additional info for The Imagined Civil War: Popular Literature of the North and South, 1861-1865
Example text
Blow! bugles! blow! Through the windows—through doors—burst like a force of ruthless men, Into the solemn church, and scatter the congregation; Into the school where the scholar is studying: Leave not the bridegroom quiet—no happiness must he have now with his bride; Nor the peaceful farmer any peace, plowing his field or gathering in his grain; So fierce you whirr and pound, you drums—so shrill you bugles blow. —Walt Whitman, ‘‘Beat! Beat! ,’’ Harper’s Weekly, September 28, 1861 ‘‘Men cannot think, or write, or attend to their ordinary business,’’ Oliver Wendell Holmes reported from Boston in the fall of 1861.
Just as Northerners and Southerners experienced the early disruptions of war in remarkably similar ways, so too authors and publishers in both sections rapidly responded to readers’ all-absorbing interest in the conflict by producing popular war literature. But these efforts exposed deep economic and cultural divisions between the two sections, divisions that would only deepen over the course of the war. First and foremost was the fact that most major publishing firms and presses were in the North, not in the South.
Moreover, it was deliberately popular in a way that the more gentlemanly Southern Literary Messenger not only avoided but sometimes actively scorned. ‘‘We wish to pay our weekly visits to thousands of homes in our sunny Southern land,’’ the News stated in its first issue, ‘‘homes that are lonely in the absence of loved ones in the army—and impart something of cheer to their loneliness. We shall send, far and wide, throughout our borders, carefully executed portraits of our distinguished leaders, that the people may know what manner of men they are, in bodily likeness, in the council and in the field.
The Imagined Civil War: Popular Literature of the North and South, 1861-1865 by FAHS Alice
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