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Extra resources for The Cambridge Companion to Harriet Beecher Stowe

Example text

Yet he refuses to cater to his audience, asserting that “This child done all she could to get me my freedom. But y’all can’t take credit for what she did” (60). Tom fervently prays that his wounded master St. Clare will survive . . at least until he finalizes his manumission. At the end of the play, bloodied on the ground, Tom greets George Shelby, who has come to ransom him, with a laconic “You’s late” (89). His remark stands as a commentary not only on George Shelby but also on all the sentimental rescuers in literature whose timing is just a bit off.

The joke, however, is not only on or about Stowe. The characters of Uncle Tom’s Cabin have been appropriated for book illustrations, newspaper cartoons, posters, toys, dolls, sheet music, and playing cards. They have been conscripted for stage plays, minstrel shows, and movie screens. As Thomas F. 3 Stowe’s title character lives on in the language, aged and bent by his circulation. Even – and maybe especially – for those who haven’t read a word of Stowe’s book, “Uncle Tom” evokes a posture of deference, abjection, or betrayal.

35 sa m u e l o t t e r NOTES 1. Robert Alexander, I Ain’t Yo’ Uncle, in Colored Contradictions: An Anthology of Contemporary African-American Plays (New York: Plume, 1996), 25–26. 2. , Kara Walker: Pictures from Another Time (Ann Arbor: The University of Michigan Museum of Art, 2002); Ishmael Reed, Flight To Canada (New York: Random House, 1976), 14; Frederick Douglass, Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself, ed. William Andrews and William S. McFeeley (New York: W.

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