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Additional info for The Americanization of the British Press, 1830s–1914: Speed in the Age of Transatlantic Journalism

Example text

In 1837 he published a war map of sites of the Canadian rebellion. Eight years later he printed a full page of wood engravings of Andrew Jackson’s funeral based on original sketches, which has been pinpointed as a breakthrough in pictorial journalism. And in more than one instance he published titillating pictures to illustrate the scene of a murder or other crime. Despite incessant grumbling by a small number of the paper’s more traditional readers the Herald produced an average of about 20 woodblock engravings a year by 1840, which placed it well ahead of any other daily newspaper in the United States.

News accounts in the morning dailies were securely defined, as were the expressed views of the papers’ editors. On an everyday basis there was little that was likely to startle readers, unless news of an unexpected political upheaval abroad qualified. The bustling activities of ordinary people in both great cities went largely unreported in the press. A Bayswater resident, for example, would have at hand substantial reports of parliamentary activities at Westminster or news from Paris, St. Petersburg or, perhaps, Vienna.

3 These contrasting cultural experiences are crucial to an understanding of developments in transatlantic journalism. For they make clear that in the first half of the nineteenth century initiative and leadership in this area emanated decisively from Britain. Before considering changes in the press that began as early as the 1830s, it is necessary to take into account the role of popular culture in the development of mass circulation journalism. For example, the transition from an oral culture to one dominated by print, which forms a critical backdrop to the emergence of cheap journalism in the nineteenth century, took place at differing rates of speed.

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