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By Gilroy) for ignoring the black community. But Gibson rejects the idea of Hoggart as conservative, showing how his regard for English traditions sits alongside progressivism. Gibson discusses ‘Hoggartian’ writers in Australia (Craig McGregor and Donald Horne), showing how they share Hoggart’s interest in the ordinary and arguing that literacy must begin from the ordinary. Hoggart celebrates specificity; but at the same time his ideas Sue Owen 17 relate to the common cultural history of England and Australia.

24 Hoggart, The Uses of Literacy and Cultural Turn On the contrary, the implied argument in The Uses of Literacy runs, working-class audiences are not empty vessels on which the middle classes and the mass media can project, tabula rasa, whatever they want. They are not simply the products of ‘false consciousness’ or ‘cultural dopes’ (Hall, 1981). They have a ‘culture’ of their own which, though it may lack the sophistication and authority afforded by the literary tradition and is certainly not unified, is in its own way just as dense, complex and richly articulated, morally, as that of the educated classes.

R. Leavis. Hoggart’s later acknowledgements of a general indebtedness to the work of the Leavises may serve as something of a screen here, hiding a more complex relationship under a cloak of apparent frankness. Hoggart, as is well known, did not see himself as endorsing the Leavises’ embattled and disdainful attitude towards contemporary social changes, and in the 1960s he elaborated his own distinctive approach to the study of such changes, accompanied by several position-statements that emphasised his distance from Leavisite condescension.

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