By Herman Wasserman
ISBN-10: 0415577942
ISBN-13: 9780415577946
Popular Media, Democracy and improvement in Africa examines the position that renowned media may well play to motivate political debate, offer info for improvement, or critique the very definitions of ‘democracy’ and ‘development’. Drawing on diversified case stories from a variety of areas of the African continent, essays hire more than a few theoretical and methodological ways to invite severe questions on the opportunity of well known media to give a contribution to democratic tradition, offer websites of resistance, or, conversely, act as brokers for the unfold of Americanized leisure tradition to the detriment of neighborhood traditions. a large choice of media codecs and structures are mentioned, starting from radio and tv to the net, cell phones, road posters, movie and music.
As a part of the Routledge sequence Internationalizing Media Studies, the ebook responds to the $64000 problem of broadening views on media experiences by way of bringing jointly various specialist analyses of media within the African continent that would be of curiosity to scholars and students of media in Africa and additional afield.
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Extra info for Popular Media, Democracy and Development in Africa
Example text
The political economy of access is however never far from any analysis of new media in Africa, and Obijiofor also points to the limitations imposed on such participation by infrastructural and socio-economic impediments. In the final section of the book, Part IV, questions of identity take centre stage – again in relation to contestations between local and global, national and transnational signifying frameworks. In Chapter 14 on transnational flows and local identities in Nigerian film, Abdalla Uba Adamu explores the reworkings of a Hollywood film, Dead Poets Society, in two countries in the Global South, India and Nigeria.
Providing for African creativity An African proverb says: ‘Until the lions produce their own historian, the story of the hunt will glorify only the hunter’ (Achebe 2000: 73). The wisdom of this proverb is brought home not only through an analysis of writings on Africa, but also and perhaps more sensationally through the images of Africa captured in the cinematic gaze of the supposedly superior others. As the bottom rungs of the ladder of race and place, Africa has through the centuries provided especially Euro-American cultural entrepreneurs with a rich catalogue of stereotypes, prejudices and other negations on which to capitalize.
Those decisions have very little to do with science, but more with the politics of scholarly production. It therefore becomes very difficult for African ideas, African scholarship, African research to filter through. But fortunately we are living in the twenty-first century, where you have alternative ways of surviving even while you are being excluded. There are possibilities through new technologies of dissemination – just by putting something on a listserv or online, even if you have limited bandwidth, means that you increase the chances of excluded scholarship, of excluded theoretical contributions, thereby preventing them from dying simply because they haven’t been published in a mainstream channel.
Popular Media, Democracy and Development in Africa by Herman Wasserman
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