By Alex Latter, Erik Tonning, Matthew Feldman
ISBN-10: 1472575822
ISBN-13: 9781472575821
ISBN-10: 1472575830
ISBN-13: 9781472575838
ISBN-10: 1472575849
ISBN-13: 9781472575845
Despite the brevity of its run and the diminutive dimension of its viewers, The English Intelligencer is a key e-book within the historical past of literary modernism within the British Isles. rising within the mid-1960s from a dissatisfaction with the existing norms of 'Betjeman's England', the younger writers linked to it have been catalysed via the instance of Donald Allen's The New American Poetry as they sought to set up a revitalised modernist poetics.
Late Modernism and The English Intelligencer gives the 1st complete account of the intense heritage of this e-book, bringing to gentle vast new archival fabric to set up an authoritative contextualisation of its operation and its dating with post-war British poetry. This fabric offers compelling new insights into the paintings of the Intelligencer poets themselves and, extra widely, the ongoing presence of a world poetic modernism as an important strength in Britain within the moment half the 20 th century.
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Extra resources for Late Modernism and The English Intelligencer: On the Poetics of Community
Sample text
The Intelligencer’s restricted mailing list certainly looks out of place in a time when poetry was experiencing an extraordinary measure of popular and commercial success: Penguin had sold 30,000 copies of the Mersey Sound Modern Poets edition and, in 1965, 7,000 people attended readings at the Royal Albert Hall. The suggestion that the poetry which MacSweeney advocates was being written for the delectation of literary critics in some far distant future is, from the perspective of the present study, seemingly a prescient one, although placing too great an emphasis on this coincidence risks obscuring the Intelligencer’s complex relationship with its own contemporary circumstances.
The desire for a ‘private’ list as the founding article for a community might seem to play back into Archambeau’s criticism about this poetry’s retreat from the public sphere, but such an idea had important antecedents in the history of late modernism and was a decisive factor in shaping the poetry that would be made available through it. This was a poetry that turned at once on an ideal of correspondence of forms – that is, a mythic, restorative order that inhered in certain forms of language use – and on a form of ideal correspondence, such as that embodied in Olson’s correspondence with Robert Creeley, for example.
91 By the time that the Intelligencer was established just over 4 years later, both obstacles had been overcome: the availability of the Caius mimeograph and the willingness of others such as Crozier, James and Riley to facilitate its production precluded the need for cash, and the emergence of young writers such as John Hall, Tim Longville, John Riley and John Temple, as well as contact with already established writers like Raworth and Lee Harwood in other parts of the country, had generated sufficient names for just such a ‘private list’.
Late Modernism and The English Intelligencer: On the Poetics of Community by Alex Latter, Erik Tonning, Matthew Feldman
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