By Xavier Moret
ISBN-10: 848428638X
ISBN-13: 9788484286387
Islandia, con tan sólo 320.000 habitantes, period el país europeo en el que tradicionalmente nunca pasaba nada. Sin embargo, en octubre de 2008, poco después de que una encuesta señalara a los islandeses como «la gente más feliz del mundo», una quandary económica sin precedentes llevó al país a l. a. bancarrota; algo más tarde, en los angeles primavera de 2010, el volcán Eyjafiallajökull puso en alerta con su emisión de cenizas a todo el espacio aéreo europeo. Lo cierto es que los angeles tranquila población de Islandia, con sus manifestaciones pacíficas, ha conseguido que el Gobierno dimita, ha forzado nuevas elecciones y –en lo que se ha calificado como una revolución silenciada (por el escaso eco que ha tenido en los medios de comunicación europeos)–, ha logrado los angeles convocatoria de varios referéndums para poder decidir por sí misma los angeles resolución de su deuda; actualmente, está inmersa en l. a. redacción de una nueva Constitución en los angeles que el pueblo va a tener los angeles última palabra. Tras publicar Islandia, l. a. isla secreta> (2002), donde Xavier Moret ofrecía su specific visión del exotismo y los angeles fascinación que l. a. isla despierta en todo aquel que l. a. visite, Islandia, revolución bajo el volcán, a caballo entre los angeles narrativa de viajes y l. a. crónica periodística, narra, tanto a partir del testimonio own como a través de encuentros con personajes relevantes, lo ocurrido en el país en esta última década.
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Additional resources for Islandia, revolución bajo el volcán
Example text
I want to hear it, so I read it aloud. It is not so that I can then imitate it. It is to remind me what a glorious language it is. Then, I try to be particular, and even original. It’s a little like reading Gerard Manley Hopkins or Paul Laurence Dunbar, or James Weldon Johnson. INTERVIEWER: And is the bottle of sherry for the end of the day, or to fuel the imagination? m. just as soon as I get in, but usually it’s about eleven o’clock when I’ll have a glass of sherry. INTERVIEWER: When you are refreshed by the Bible and the sherry, how do you start a day’s work?
But the truth is, you can never leave home. You take it with you; it’s under your fingernails; it’s in the hair follicles; it’s in the way you smile; it’s in the ride of your hips, in the passage of your breasts; it’s all there, no matter where you go. You can take on the affectations and the postures of other places, and even learn to speak their ways. But the truth is, home is between your teeth. Everybody’s always looking for it: Jews go to Israel; black-Americans and Africans in the Diaspora go to Africa; Europeans, Anglo-Saxons go to England and Ireland; people of Germanic background go to Germany.
The Botticelli’s a masterpiece, the baby’s only a “potential” human being. After prescribing this antinomian exercise, he commences to deflate his own balloon by running it on the thorns of common sense. He refers to the author’s historical struggle against censorship, as though this somehow establislies art’s essentially unmoral character, and then admits that each censoring hierarchy reacts to whatever inadequacies of its moral system are challenged by the work in question. He reminds us that good books were written by bad people—bad people (and crafters of fine moral fiction) like Waugh, I assume.
Islandia, revolución bajo el volcán by Xavier Moret
by Brian
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