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Monika Siebert's Indians playing Indian : multiculturalism and contemporary PDF

By Monika Siebert

ISBN-10: 0817318550

ISBN-13: 9780817318550

ISBN-10: 0817387986

ISBN-13: 9780817387983

modern indigenous peoples in North the USA confront a different drawback. whereas they're reclaiming their historical prestige as sovereign countries, mainstream pop culture maintains to depict them as cultural minorities just like different ethnic americans. those depictions of indigenous peoples as “Native americans” entire the wider narrative of the USA as a shelter to the world’s immigrants and a house to modern multicultural democracies, corresponding to the USA and Canada. yet they essentially misrepresent indigenous peoples, whose American historical past has been no longer of immigration yet of colonization.
 
Monika Siebert’s Indians enjoying Indian first identifies this phenomenon as multicultural misrecognition, explains its assets in North American colonial historical past and within the political mandates of multiculturalism, and describes its outcomes for modern indigenous cultural construction. It then explores the responses of indigenous artists who make the most of the continued well known curiosity in local American tradition and artwork whereas providing narratives of the political histories in their countries with a purpose to withstand multicultural incorporation.
 
each one bankruptcy of Indians taking part in Indian showcases a special medium of up to date indigenous art—museum exhibition, cinema, electronic nice artwork, sculpture, multimedia install, and literary fiction—and explores particular rhetorical concepts artists install to prevent multicultural misrecognition and get well political meanings of indigeneity. The websites and artists mentioned comprise the nationwide Museum of the yank Indian in Washington, DC; filmmakers at Inuit Isuma Productions; electronic artists/photographers Dugan Aguilar, Pamela Shields, and Hulleah Tsinhnahjinnie; sculptor Jimmie Durham; and novelist LeAnne Howe.

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Example text

Multicultural democracies dwell on their colonial pasts, if at all, only in order to celebrate their irrevocable passing. The ultimate proof of this passing is the ascendancy of multiculturalism as a model of cultural relations, fully evidenced in the hypervisibility of minority cultural production in the pub­lic sphere. In the case of indigenous peoples, however, engagement with the politics of recognition leads to what I have called multicultural misrecognition, that is, an interpretive framework that reduces indigeneity to culture, and as a result obscures the colonial status of indigenous nations.

For indigenous peoples, the NMAI provides the recognition that has supposedly eluded them for so long, and with this recognition a promise of a more equitable future. The sticking point is the nature of this recognition—that is, the question of what exactly is being recognized. As I explore in the i­ntroduction, the kind of recognition extended to America’s indigenous peoples has undergone a dramatic shift from the recognition of po­liti­cal sovereignty in diplomatic exchanges in the eighteenth and nineteenth centuries to the recognition of Ameri­can Indian cultural difference in the twentieth century.

The museum spaces unfold in a concentric pattern.

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Indians playing Indian : multiculturalism and contemporary indigenous art in North America by Monika Siebert


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