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Atop the desk, examples of Schwarz’s wireframe mockups for determining rake and splay With the exception of their annual Maine open house, this was easily the largest LieNielsen event I can ever recall attending. Guest demonstrators included at least a dozen companies and organisations – including no fewer than six individual planemakers – and the crowds were non-stop and enthusiastic. The array of beer, which I’m told was outstanding, surely helped. As did the brewery’s excellent coffee (which garnered my loyalty), but by 5pm Saturday, as we broke down our benches and hurried back to Lost Art Headquarters, exhaustion had begun to set in.
Still, the aesthetic and materials clearly accentuated the building’s history without feeling stifled or museum-like. Around the room, examples of Schwarz’s furniture from The Anarchist’s Design Book were showcased, as were the tools of his trade: a pair of enormous single-slab workbenches, and a pair of tool chests. On the building’s lowprofile bar, believed to be original, copies of Lost Art Press titles were arranged. Refreshments were beer, coffee and some of the best pizza I’ve ever had outside the New York tri-state area.
Furniture & Cabinetmaking [UK] (June 2016)
by Daniel
4.3