By Richard R. Brettell
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Trived structures to the depiction of everyday life critic all by reminding them of the artist's efforts to produce the picture. " If cally was physiimmense canvas, the 1877 Impressionist exhibition dominated by Caillebotte's the painter played an equally large role in creating the exhibition that was considered eight group exhibitions presented collective of artists. Never the finest of by all this informal a willing democrat, Cail- lebotte took over the organization the financing, and his taste and a good deal of was so exemplary, his diplomatic abilities so great, that his only failure was 46 of this folly to would have appealed to Seurat.
Thus, first series layer after layer of paint over periods of months, Saint-Lazare Train Station, the It was from the Saint-Lazare station that one took trains to virtually all the landscape sites pre- There are stories that Monet convinced the station by the Impressionists. By depicting that depot, Monet was connecting the urban world with the Im- master that he was a famous pressionists' equally In this series artist in order to per- suade him to run the engines while the trains stood still, Yet, so they would it is painted make billowing clouds of steam.
Pissarro exhibited several varying the inking, the pressure of the states of this print in the Impressionist exhibition of differently, press, and the color and texture of the paper. Their experimentation resulted in prints that are the most technically complex in the history of All five prints selected here this among art. were made during period of collaboration. The earliest of them, 1881, and two of them are ences in techniques, he could suggest of time. The own Claude Monet, whose painted nearly a decade into an oddly frontal maze of rooms.
French Impressionists by Richard R. Brettell
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