By Hugh Barker, Yuval Taylor
ISBN-10: 0393089177
ISBN-13: 9780393089172
Did Elvis sing from the guts, or was once he simply appearing? have been the intercourse Pistols extra genuine than disco? Why achieve this many musicians base their method on being authentic, and why do song buffs fall for it each time? through investigating this obsession within the final century in the course of the tales of John Lennon, Kurt Cobain, Jimmie Rodgers, Donna summer time, Leadbelly, Neil younger, Moby, and others, Faking It rethinks what makes renowned song paintings. alongside the best way, the authors talk about the segregation of tune within the South, examine the predominance of self-absorption in smooth pop, think again the rebellious ridiculousness of rockabilly and disco, and delineate how the hunt for authenticity has not just made a few song nice and a few song bad but additionally formed in a basic manner the advance of well known track in our time.
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Additional info for Faking It: The Quest for Authenticity in Popular Music
Sample text
What Will He Be Like? What will he be like? I gazed for a long time at the petals of a rose, and I touched them delightedly: I would want that so ness for his cheeks. And I played in a tangle of brambles, because I would want his hair to be like that, dark and curling. But it won’t matter if it is bronze colored, with the rich color of red clay that potters love, or if his smooth hair is as simple as my whole life. I watch the hollows in the mountains as they fill with fog, and I sketch with the fog the silhouette of a girl, a very sweet little girl: my child could be like that too .
The thought of life turns banal from the moment it isn’t blended with the thought of death. The pure essentials are superficial giants or little pagans. The pagan paid attention to both. FA B L E S , E L E G I E S , A N D T H I N G S O F T H E E A R T H La jirafa La ven pasar y se preguntan los demás animales qué cosa ha alcanzado que valiera ese levantamiento del cuello. —Tendrá mejores datos que nosotras —dicen las liebres— sobre las tempestades. —Qué hambre estúpida de horizontes —comenta la cebra— su prima en jaspeadura.
La cabeza entró en su estuche; las patas en su funda. La arena se dio cuenta de que se encogía un poquito más. Le dejaron orearse; después la han vaciado. Ahora hay sobre la mesa una concha espaciosa, urna de hierro viejo, llena de silencio. [] The Tortoise Fools allude to her in every conversation about progress, critiquing that lovely slowness. She has lived for forty years in this square patio, which has only one jas FA B L E S , E L E G I E S , A N D T H I N G S O F T H E E A R T H mine tree and one dry water basin.
Faking It: The Quest for Authenticity in Popular Music by Hugh Barker, Yuval Taylor
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