By Darren Brooker
ISBN-10: 0080927017
ISBN-13: 9780080927015
ISBN-10: 024052117X
ISBN-13: 9780240521176
Qualified through Autodesk, Darren Brooker's new version teaches the creation thoughts at the back of real-world paintings. The tutorials take you from the basics of lights, all over to complicated thoughts. * every thing you must study the paintings of CG lights in a single easy-to-use quantity * unfastened trial software program and special tutorials take you thru each step of the CG lights procedure * study the paintings and technological know-how of lights CG environments the Autodesk-certified means
Read Online or Download Essential CG Lighting Techniques with 3ds Max, Third Edition (Autodesk Media and Entertainment Techniques) PDF
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Extra resources for Essential CG Lighting Techniques with 3ds Max, Third Edition (Autodesk Media and Entertainment Techniques)
Sample text
For example, if your scene were set against a backdrop of a large brick wall, the red color of the light bouncing from the bricks would have to be imparted to your lighting scheme. For lighting scenarios where the dominant light source was artificial, the same principles would apply, though you’d be working with a color balance of 3200 K to mimic tungstenbalanced film. The lights that would have a lower temperature and thus have to be given a yellow tint would now be things like domestic lights.
It’s worth noting that light obeying the inverse square rule never actually reaches a zero value, so it’s worth setting the far attenuation value to a distance where the illumination appears to have ended to avoid unnecessary calculations. This value, along with an accompanying one that dictates the near attenuation point, can be used along with linear attenuation to give a very predictable falloff from the near to the far value. Alternatively, attenuation can be turned off entirely, making the distance to the light irrelevant, as the illumination from such a light would be constant.
If you gave several Directors of Photography (DoP) the task of lighting a movie scene, you’d undoubtedly get very individual and different results, as diverse as the DoPs’ imaginations. First, considering the space that the DoP has to light, each would refer to the script and consider the events, emotions and personalities of the story before arriving at a solution, or possibly even several potential approaches towards a solution. If you then examined each individual’s lighting schemes, you’d no doubt get a wide range of variations that might go from the gritty and realistic to the sumptuous and glamorous.
Essential CG Lighting Techniques with 3ds Max, Third Edition (Autodesk Media and Entertainment Techniques) by Darren Brooker
by David
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