By David A. Lauer, Stephen Pentak
ISBN-10: 0495500860
ISBN-13: 9780495500865
Layout fundamentals is a best-selling textual content for the two-dimensional layout direction. layout fundamentals offers paintings basics suggestions in complete - to four-page spreads, making the textual content functional and simple for college kids to consult whereas they paintings. This modular structure supplies teachers the maximum flexibility in organizing the path. visible examples from many sessions, peoples, and cultures are supplied for all components and ideas of layout. the range of illustrations now comprises extra examples from visible tradition encouraging scholars to work out those ideas on the planet round them. Icons showing through the e-book recommended scholars to entry ArtExperience on-line (a dynamic website built-in with the textbook), which includes studio artwork demonstrations and interactive workouts that support scholars discover the principles of artwork.
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Extra resources for Design Basics, Seventh Edition (with ArtExperience Online Printed Access Card)
Sample text
And, in the case of a critique, thoughtful description, analysis, and interpretation might help the artist (or the viewer) see other, more dynamic possibilities for the drawing. The many sections devoted to principles and elements of art and design in this text are each a potential component for critique. In fact the authors’ observations about an image could be complemented by further critical analysis. For example, the text may point out how color brings emphasis to a composition, and further discussion could reveal the impact of other aspects such as size, placement, and cultural context.
Acrylic on silk screen frame, 7’ 2 1/2” × 5’ 8 1/2”. Courtesy Barbara Gladstone Gallery, New York. © Richard Prince. 33 WAY S TO A C H I E V E U N I T Y PROXIMITY An easy way to gain unity—to make separate elements look as if they belong together—is by proximity, simply putting the elements close together. The four elements in A appear isolated, as floating bits with no relationship to each other. By putting them close together, as in B, we begin to see them as a total, related pattern. Proximity is a common unifying factor.
Unity is not simply a property of related organic shapes or of related geometric elements. An apprehension of unity is a simple and immediate sense of connections resonating throughout a composition. The elements that build that unity may be simple as well, or they may be subtle and more complex. ᭡ El Lissitzky’s composition (A) has a simple and obvious unity based on the repetition of the square. The contrast of red and black and the position of each square create variety. ) Unity in this single composition is also a result of continuation as a path is suggested from the black square through the diagonal of the red square to the trail of text at the bottom.
Design Basics, Seventh Edition (with ArtExperience Online Printed Access Card) by David A. Lauer, Stephen Pentak
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