By Sheila Post-Lauria
ISBN-10: 1558490027
ISBN-13: 9781558490024
This cutting edge ebook makes a tremendous contribution to the present revision of the yank literary canon. tough the view of Melville as an remoted, alienated genius, Sheila Post-Lauria provides him not just as a author keenly attuned to the preferred tradition of his day but additionally as person who thought of reliance upon cultural fabrics basic to his creativity. Firmly grounded within the new scholarship at the background of nineteenth-century print tradition and in reports of Melville's contemporaries, Correspondent shades offers a rereading of Melville's oeuvre that casts new gentle on masterpieces like Moby dick and ambiguous texts corresponding to Benito Cereno, in addition to lesser recognized journal and the past due poetry.
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Additional info for Correspondent Colorings: Melville in the Marketplace
Sample text
The ethnocentric bias of Melville's reputed sources distances them from the peoples under observation. While Stewart changes the form of chapter headings used by Ellis, he certainly maintains Ellis's ideological stance. Departure from Nukuhiva Although more interactive than Ellis's narrative, Stewart's account suggests only the rudiments of narrative structure: "Arrival at Nukuhiva ... Valley ... Dance ... " There is even less interest in stylizing the narrative. Now consider Melville's account of the same geographic location as listed in Stewart's narrative: Chapter 2Passage from the Cruising Ground to the MarquesasSleepy Times aboard ShipSouth Sea SceneryLand ho!
Here I reconsider the reasons why Melville turned from the novel to poetry by situating Melville's compositional methods in The Confidence-Man in the radically changed literary environment of the late 1850s, as well as by examining how the particular structure of this last novel signaled the direction of the author's restless move to new literary forms and audiences. This study develops a reconstruction of Melville as a "classic" writer which challenges conventional views of an alienated, frustrated artist who felt hostile and superior to his culture.
Criticism of unacceptable native ways reinforces the superiority of the writer's own culture to the one under observation. This stance allows the author to remain a detached observer who upholds traditional Western (particularly Anglo-Saxon) culture, and in the case of the European travel account, American society. Several writers quickly learned the power of reader expectations and ideological demands. In first works, some travelers severely condemned missionary practices in the South Seas, as David S.
Correspondent Colorings: Melville in the Marketplace by Sheila Post-Lauria
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