By Cecilia Friend
ISBN-10: 0415892805
ISBN-13: 9780415892803
Contemporary Editing deals journalism scholars a forward-looking creation to information enhancing, delivering guide on conventional newsroom conventions in addition to a spotlight on rising information structures. This finished textual content presents scholars with a powerful figuring out of every thing an editor does, addressing crucial replica enhancing basics resembling grammar and magnificence; editorial choice making; picture modifying, details snap shots, and web page layout; and new media methods to storytelling. all through, the publication makes a speciality of how "the editor’s attitude"—a willing knowledge of stories values, ethics, and audience—comes into play in all points of stories modifying. This new version deals extended assurance of internet publishing and cellular media, giving scholars reliable enhancing abilities for today’s evolving media and information forums.
Features of the 3rd Edition:
-Editing 2.0 boxes talk about the effect of electronic know-how and social media on enhancing.
-Coverage of grammar difficulties and a brand new bankruptcy on operating with numbers supply scholars with a powerful grab of math and grammar, that are the underpinnings for all writing and editing.
-An emphasis on enhancing for brevity prepares scholars to write down and edit truly and in brief, for print and for the web.
-A bankruptcy at the paintings of headline writing courses scholars via one of many editor’s most vital initiatives, and introduces the duty of seek engine optimization.
-Examples of ethics and felony situations express scholars how matters come up in even the main uncomplicated tales, and the way to deal with them.
-Online exercises current extra perform for college kids, with no need to buy a workbook.
Read Online or Download Contemporary Editing PDF
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Additional resources for Contemporary Editing
Sample text
These are all part of what we might call the editor’s attitude. Here are some of its key qualities: Staying curious Editors are rarely bored. There is too much going on in the world. Editors read widely and listen constantly — and not only to the “big” news. Disasters, elections and Super Bowls are important, sure. But an editor is also likely to be intrigued by a neighbor’s nightmarish tale about trying to get an overcharge dropped from his credit card bill, or the local teacher who introduces her students to the study of terrorism by having them wear gas masks for a day.
When the University of New Mexico’s football team missed an extra point in the 2002 Las Vegas Bowl, the otherwise inconsequential play got more national media attention than the game itself — because the kicker, Katie Hnida, was the first woman ever to play in a Division I football game. Similarly, anything outrageously big or amazingly small is likely to interest readers and viewers: a huge lottery jackpot, the biggest fish ever caught in Lake Huron, a $2-a-month alimony payment, a record snowfall.
In practice, especially in smaller newsrooms, these responsibilities are often merged into a single position. The copy chief or news editor needs several years’ experience in editing. Some reporting experience is helpful as well. Desk editors/assignment editors/bureau chiefs (all media) These editors supervise desks or teams of reporters, photographers or specialists. Desks in a print newsroom typically cover specific types of stories or beats: city or “metro,” sports, features, business, and so forth.
Contemporary Editing by Cecilia Friend
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