By Frank Barnas
ISBN-10: 0240811836
ISBN-13: 9780240811833
Broadcast information Writing, Reporting, and Producing provides an outstanding beginning for any scholar studying how one can develop into a printed journalist in modern day global of convergent journalism. the printed keeps to morph as more recent and extra complex content material structures are hatched and built, and broadcast newshounds needs to know the way to author, record, and convey for a number of structures at the same time.
Broadcast information Writing, Reporting, and Producing is totally overhauled to mirror the developments of convergent journalism on each web page. New co-author Frank Barnas brings a multi-faceted viewpoint of writing, reporting, and generating that enables for multi-platform supply platforms, and exhibits scholars with real-world examples the capabilities and practices of latest media. the hot version has been rewritten and restructured to deal with universal 16-week path modules, and is now divided into 4 significant sections of the scoop: amassing, writing, reporting, and generating.
The complete technique of this article brings a multi-tiered point of view of writing, reporting, and generating that's wanted greater than ever in modern day global of convergent journalism. New pictures and illustrations, a restructuring of the textual content, improved end-of-chapter workouts, more moderen and extra proper examples, and additional info on generating all give a contribution to giving readers what they wish such a lot: a nuanced figuring out of ways the media of this present day functionality in a global with no information barriers.
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Broadcast information Writing, Reporting, and generating provides an exceptional starting place for any pupil studying how one can turn into a printed journalist in contemporary global of convergent journalism. the published keeps to morph as more recent and extra complicated content material structures are hatched and constructed, and broadcast newshounds needs to know how to author, record, and bring for a number of systems concurrently.
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Additional info for Broadcast News Writing, Reporting, and Producing
Example text
As the morning evolves, the assignment editor is often the first one in, followed closely by the producers and reporters. m. and early morning newscasts. m. newscast. Think of it as a map of the newscast, showing what stories are presented, what anchor reads them, and how much time is given to each story. 5 (Foreground) Photographer Rick Portier and (background) photography editor Patrick Perry checking video at WBRZ, Baton Rouge, Louisiana. ” The slug does not detail if it was a luncheon the governor sponsored, attended, or shunned.
Not only is it a cornerstone of developing stories, it’s fundamental in working in newsrooms. 10 Production Meetings Once the story ideas have been gathered from the various sources, the producers, assignment editor, and reporters meet for their morning production meeting. This is a highly interactive meeting in which all parties are encouraged to speak up. The meetings last approximately 20 minutes, and during this time, stories are advanced, questioned, assigned to news crews, or discarded. Quite often, if a reporter or producer is not passionate about a story idea, it is dropped in favor of another.
Are they important? 7. It is routine for many broadcast news staffs to make certain telephone calls each morning. What kinds of calls? Why are they important? 8. Explain why the assignment desk is an integral part of a news operation. Exercises Exercises 1. Part of the assignment editor’s job is to look for updates on stories. Look at the wire or your newspaper and pick stories that have potential to be updated. Explain how you would update them. 2. The assignment editor is always looking for local reaction-type stories to national and international developments.
Broadcast News Writing, Reporting, and Producing by Frank Barnas
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