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Bill Kovach, Tom Rosenstiel's Blur: How to Know What's True in the Age of Information PDF

By Bill Kovach, Tom Rosenstiel

Amid the hand-wringing over the dying of "true journalism" within the net Age—the din of bloggers, the echo chamber of Twitter, the predominance of Wikipedia—veteran newshounds and media critics invoice Kovach and Tom Rosenstiel have written a practical, serious-minded consultant to navigating the twenty-first century media terrain. definite, outdated experts are being dismantled, new ones created, and the very nature of data has replaced. yet looking the reality is still the aim of journalism—and the thing when you devour it. How will we determine what's trustworthy? How can we be sure which proof (or whose evaluations) to belief? Blur presents a highway map, or extra in particular, unearths the craft that has been utilized in newsrooms via some of the best newshounds for purchasing on the fact. In an age whilst the road among citizen and journalist is changing into more and more doubtful, Blur is an important consultant if you need to know what's real.

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Extra info for Blur: How to Know What's True in the Age of Information Overload

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Thus, in holding interviewees to account, this is an interview style that allows a substantial degree of interpretative scope for the journalist: Not only may the interview be held to account within the interview for actions and words prior to it, but the interview may generate material that can be used subsequently for accountability purposes. (Montgomery, 2007: 155) Blair Frost Blair [The Iraqi people want] the same opportunities and the same rights that we enjoy in countries such as this. 4 ╇ Interview with Tony Blair on the Al-Jazeera Frost over the World programme on 17 November 2007 41 BROADCAST JOURNALISM ‘Neutralism’ and challenging questions The hazards that Montgomery alludes to may well be one of the reasons why so many politicians avoid accountability interviews, usually with the evasive turn of phrase that they are ‘not available for comment’.

Murphy’s voice appears over footage, and she anchors her position as part of the scene through the use of deictic pointers ‘this road’ and ‘this cover’. Murphy then gives way to the professional voice of the policeman (captioned on screen and voiced through a translator), followed by two holidaymakers from the campsite at which the victims had stayed. 9. 11) are emphasized by the shifts in broadcast setting. There are a number of points regarding this use of non-professional or specialist interviewees that are worth thinking about.

Balance and bias in times of conflict It is obvious that there are a number of underlying values that motivate broadcast and other forms of journalism, and we have looked at just a few of these. We are now going to look at the work journalism does to maintain normative principles of journalistic balance, looking at the contentious area of international conflict. When Tony Blair was in his final days in office as British prime minister in June 2007, he made a speech in which he identified the challenges facing the media.

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Blur: How to Know What's True in the Age of Information Overload by Bill Kovach, Tom Rosenstiel


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