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Download e-book for kindle: Angela Carter's Nights at the Circus: A Routledge Study by Helen Stoddart

By Helen Stoddart

ISBN-10: 0203312074

ISBN-13: 9780203312070

ISBN-10: 0415350115

ISBN-13: 9780415350112

A hugely unique and influential paintings of contemporary British literature, Angela Carter’s Nights on the Circus combines a superbly artistic plot with a robust political undertone. the result's an emotive and provocative novel, which has attracted a lot severe recognition from a number views together with poststructuralism, gender reports, postmodernism and psychoanalysis.

This consultant to Angela Carter’s complicated novel, presents:

  • an available creation to the textual content and contexts of Nights on the Circus a serious background, surveying the various interpretations of the textual content from book to the current
  • a choice of new severe essays at the Nights on the Circus, via Heather Johnson, Jeannette Baxter, Sarah Sceats and Helen Stoddart, delivering various views at the novel and increasing the assurance of key serious methods pointed out within the survey part
  • cross-references among sections of the consultant, as a way to recommend hyperlinks among texts, contexts and feedback
  • suggestions for extra interpreting.

Part of the Routledge courses to Literature sequence, this quantity is vital analyzing for all these starting exact learn of Nights on the Circus and looking not just a advisor to the radical, yet a manner during the wealth of contextual and important fabric that surrounds Carter’s textual content.

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Extra info for Angela Carter's Nights at the Circus: A Routledge Study Guide

Example text

53) and ‘feminine squalor’ (Pt. I, Ch. 1, p. 9). Yet, on the other hand, it is not fertility and conception that are twinned with this earthy, downward-weighted body – quite the opposite. Fevvers’ publicity (dubiously, we later discover) declares her to be the only ‘fully feathered intacta in the history of the world’ (Pt. III, Envoi, p. 294). She may have spent her early years in a brothel where ‘a sub-text of fertility underwrote the glittering sterility of the pleasure of the flesh available’, but in this place she exists ‘only as an object in men’s eyes’ (Pt.

Authors such as Iris Murdoch (1919–99) and Muriel Spark (1918–2006) who had started to establish their reputations in the 1950s were joined by Doris Lessing (1919–) in the 1960s and Fay Weldon (1931–), Emma Tennant (1937–), Margaret Drabble (1939–), Anita Brookner (1928–), Beryl Bainbridge (1934–), A. S. Byatt (1936–), Pat Barker (1943–) and the Canadian author Margaret Atwood (1939–) in the 1970s and early 1980s. Other studies of Carter have discussed her work alongside these writers, however, given the clear the way that Nights at the Circus is so clearly engaged with other arts – especially visual media such as painting and photography – it is not surprising that many of the novel’s most challenging features are echoed in the work of women working in different areas of cultural production.

Although, as Elaine Jordan neatly puts it, ‘demythologising depends on exposing lies that enthrall people, . . 43 In other words, all mythological versions of women are a form of ‘enthrallment’, even a new, more ‘modern’ female mythology. The important question for Jordan, therefore, is only who the myths serve and what possibilities they open up or close down. She also makes the point that demythologizing is ‘always secondary: subordinate to the tradition “with” which it claims to break’. 44 Though a great many women were involved in projects of this nature, the work 41 Jack Zipes, Breaking the Magic Spell, London: Heinemann Educational, 1979, p.

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Angela Carter's Nights at the Circus: A Routledge Study Guide by Helen Stoddart


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